This code was for non-realtime software synthesis in Pla at CCRMA’s Sambox. Output was at least the tape used in Inner Film/Earth Sighs generated by this score. I explain he process more fully in the Keyboard article about CCRMA that followed.
In this session I met the remarkable Bill Scottstaedt, who guided my coding and from whom I also picked up wavesequencing and traveling loops (“Leviathin”) for Sequential; he former essentially creating the Wavestation.