This code was for non-realtime software synthesis in Pla at CCRMA’s Sambox. Output was at least the tape used in Inner Film/Earth Sighs generated by this score. I explain he process more fully in the Keyboard article about CCRMA that followed.
In this session I met the remarkable Bill Scottstaedt, who guided my coding and from whom I also picked up wavesequencing and traveling loops (“Leviathin”) for Sequential; he former essentially creating the Wavestation.
![870707 MP19[SUM,SAJ] PG1](https://i0.wp.com/www.jungleib.com/wp-content/gallery/1960%20MUSIC/19870707%20CCRMA%20Pla%20Clouds/870707%20MP19%5BSUM%2CSAJ%5D%20PG1.jpg?w=640&ssl=1)
![870707 MP19[SUM,SAJ] PG2](https://i0.wp.com/www.jungleib.com/wp-content/gallery/1960%20MUSIC/19870707%20CCRMA%20Pla%20Clouds/870707%20MP19%5BSUM%2CSAJ%5D%20PG2.jpg?w=640&ssl=1)
![870707 MP19[SUM,SAJ] PG3](https://i0.wp.com/www.jungleib.com/wp-content/gallery/1960%20MUSIC/19870707%20CCRMA%20Pla%20Clouds/870707%20MP19%5BSUM%2CSAJ%5D%20PG3.jpg?w=640&ssl=1)
![870707 MP19[SUM,SAJ] PG4](https://i0.wp.com/www.jungleib.com/wp-content/gallery/1960%20MUSIC/19870707%20CCRMA%20Pla%20Clouds/870707%20MP19%5BSUM%2CSAJ%5D%20PG4.jpg?w=640&ssl=1)
![870707 MP19[SUM,SAJ] PG5](https://i0.wp.com/www.jungleib.com/wp-content/gallery/1960%20MUSIC/19870707%20CCRMA%20Pla%20Clouds/870707%20MP19%5BSUM%2CSAJ%5D%20PG5.jpg?w=640&ssl=1)
![870707 MP19[SUM,SAJ] PG6](https://i0.wp.com/www.jungleib.com/wp-content/gallery/1960%20MUSIC/19870707%20CCRMA%20Pla%20Clouds/870707%20MP19%5BSUM%2CSAJ%5D%20PG6.jpg?w=640&ssl=1)
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