Music Technology

CCRMA in KEYBOARD

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1987.12 “Stanford’s Computer Music Lab.” Keyboard. (p 58)

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8712 KYBD ART STNFRD CML SJ P01
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 “You deserve to be proud of your article. It’s a fine piece of work. You’ve also done a great service to CCRMA. I just hope we can sustain the increased interest which is likely to result. Once again, nice work! It was a real treat to see CCRMA through your eyes.”— Julius O Smith

The truth is Ted Greenwald rewrote and enlivened a lot of it for their audience; something for which he later apologized through an intermediary whom I assured it was no problem. I didn’t mind what he did at all. It was good, purposeful editing. I was pleased to give Bill Schottstaedt more exposure; which he nevertheless eschews.

MIDI5 Control Summary

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MIDI5001
MIDI5002

Sequential Circuits Product Summary

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1979  Prophet-5 Synthesizer (1000.2)
1980  Prophet-5 Synthesizer (1000.3), Prophet-10 Synthesizer (1010)
1981  Polyphonic Sequencer (1005/1015), Pro-One Synthesizer (100)
1982  Pro-FX System (500)
1983  MIDI, Prophet-600 Synthesizer, Prophet-T8 Synthesizer (1008)
1984  Drumtraks Drum Machine (400), Six-track Synthesizer (610),
         Max Synthesizer (620), Commodore 64 Interface (242)
1985  Multi-Trak Synthesizer (615), Tom Drum Machine (420), Prophet-2000 Sampler
1986  Prophet-VS Synthesizer (2400), Studio 440 Sampling Drum Machine
1988  Prophet-3000 Sampler

Prophet-3000 User Interface

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implement all features with minimal keystrokes

IRCAM Interviews

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IRCAM computer music article. Philippe Chatiliez, David Wessel, Aldo Banfi

AES Performance and Panel

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Audio Engineering Society  New York (concert and panels incl. Wendy Carlos, Laurie Spiegel, Joel Chadabe, et. al.) live electronic performance, shipped my whole studio cross-country.

These four pieces ended up on the Inner Film CD. Of the collection my keyboard teacher at the time, Tom Coster too kindly said: “Reminds me of the best of Wayne Shorter.”

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8710 AES 83RD CONV-PR
8710 AES 83RD CONV-SJ PERF
8710 PANEL DISC-LIVE ELECTRIC
8710b MIDI PLYBK MAP BUS A&B

CCRMA Pla Cloud Code

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This code was for non-realtime software synthesis in Pla at CCRMA’s Sambox. Output was at least the tape used in Inner Film/Earth Sighs generated by this score. I explain he process more fully in the Keyboard article about CCRMA that followed.

In this session I met the remarkable Bill Scottstaedt, who guided my coding and from whom I also picked up wavesequencing and traveling loops (“Leviathin”) for Sequential; he former essentially creating the Wavestation.

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CCRMA in Keyboard

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